Subject+to+Camera+Distance+B3

//**__Subject to Camera Distance (B3)__**// By Tanner Aumend, Eric Collins, Jeremy Koehler, and Ryan Hegna


 * Extreme Close-Up (ECU)-** A feature, such as a person's eyes, fills the whole frame. (In the video below, the extreme close up is from 0:24-1:20.)

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 * Close-Up (CU)-** A feature, such as a person's head, fills the whole frame. (Whole video below is a close up.)

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 * Medium Shot (MS)-** The full body of a person is visible and takes up the whole frame. (Middle shot in video below is from 0:00-0:09.)

media type="youtube" key="uaFy0x_Uixo" height="345" width="420"


 * Long Shot (LS)-** Full body is in view and you can see the body's relation to its surroundings. (An example of a long shot is seen from 0:02-0:13, yet is also see at various times throughout the video.)

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 * Wide Shot (WS)-** Shot used to display as much action as possible, because it is wider than a normal shot. (Wide shot is seen from the beginning to 0:20.)

media type="youtube" key="_4jv3-OhJTY" height="345" width="560" Different camera distances can affect the emotion of the film, help the audience see the amount of action the director wishes to show the audience, and explain a size relation between two objects.
 * Why would you use different camera distances?**