B1+GROUPS+3-4

Group 3
 * extreme close up (ECU)- An extreme close-up shows no background whatsoever. Normally showing what the human eye cannot see. Like details in the eye or the mouth.
 * close up (CU)- Shows a single image. Like a face, with very little background. Usually being blurred. This is for the important stuff.
 * medium shot (MS)-Usually showing background less blurry. Sometimes showing a figure from the waist up. Taken from a fair distance.
 * long shot (ls)- Usually showing an exterior. Like in a movie when it fades in from the black showing a building or something of that like. OR maybe even people.
 * wide shot (ws)-
 * why and when might a director choose these different shots, how do they effect the mood of the shot?- Some of them, like the close up is good for when there is a moment of grand importance. And a long shot is good for an open gin scene for instance. All of these can affect very much at any given moment.

Group 4

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 * high angle (from above)- This view is much less extreme than a overhead which "over the head" But his is good for a overview like a battlefield in a war movie or a party in a big city. Like New Years.
 * low angle (from below)- This angle is very low. So it can help smaller people like me.(Morgan) and sometimes usually pointing up(but not directly up) so it can lack in detail unless it's like a really tall building.
 * straight on (eye level)- This shot from the average height of six feet. (not really good for me) and this is good for a shot like people talking or that sort of good stuff.
 * from ground level- This shot is what it says (from-the-ground) and good for shots of like a monster walking around and all that good stuff.
 * dutch angle (camera is tilted)- This shot is either meant to be a person's or things "eye's" so very good for like a chase sequence or good if there's an unknown thing watching "the main group of characters"
 * why and when might the director choose these, how do they effect the mood of the shot?- All of these shots set a mood (obviously) but each do something different, like the angle shot is good if there's an unknown "thing" watching something else. Or the high shot is good if someone is missing in a large crowd of people and it sets a tone of disparity. All of which make people want to see more, and this adds more of a meaning without exposition.